Ebenezer Scarlet, reclusive miser, has nothing but contempt
for Christmas and his fellow human beings. He cares for no one and no one cares
for him except, perhaps, his niece, Elise. Never having married, he rattles
around alone, friendless, in his big, Riverside Drive mansion.
One night, after firing his long-time housekeeper because
she dared to ask for a raise, he goes to bed, only to be awakened by his old,
dead friend, Sherman Tindall, who tells him he will be visited by three spirits
and he’d better do what they say or things could get unpleasant.
Ebenezer is awakened later by a bizarre waif; a Twiggy
look-alike from the sixties. She binds him, using and humiliating him. Her
orgasms force him to remember his past and how he became the miserable person
he is today. The second spirit picks up where the first left off. An elegant
Frenchwoman, dressed in red latex, she brings him many gifts, some for external
wear and others—not. She takes him on a journey to witness the lives of people
close to him, demanding his attention when he waivers or disappoints her.
The spirits are not gentle with him and he is worn out by
the time the third spirit visits him. She is faceless, frightening and
unknowable, dressed in black rubber. She punishes him mercilessly and directs
her leather minions to use him roughly, all the while forcing upon him visions
of what will be.
He awakens Christmas Eve morning, a new man. Still bound and
sporting the bruises gifted to him by the spirits. Can the future be changed?
Can he become the man he was meant to be?
Buy links:
Riverdale Ave. Books: https://goo.gl/97Q6kO
Universal Amazon link: http://rxe.me/5I4GG6
Review:
This familiar holiday tale gets an added punch with D.L. King's provocative version. Ebenezer is a miserly old coot who makes everyone's life around him difficult. He fires his cleaning woman, alienates his relatives and generally is a horrid human being. When the ghosts of Christmas pay him a visit, he will get a lesson in manners he's long been looking for. Each spirit is special and shows him the error of his ways--but this time using Dommes! In this no holds barred version, our Ebenezer learns the value of want, hunger and things yet to come in a whole new way and gains a particular new fondness for a certain pair of special undergarments.
I loved this story for its cruel to be kind message and I really love a woman who knows how to steer with a candy cane. You'll have to read to find out just what I mean.
Fans of Fem Domme literature everywhere need to check out this wonderful tale. It may just inspire you to do a bit of holiday magic yourself.
5/5
Where did you get the idea to
rewrite A Christmas Carol?
I
started writing this story years ago, at the urgings of a friend. The idea was
to write something together, but that never actually happened. I started it,
but only got a few paragraphs in. I never throw anything away and sometimes,
when I look at the bits and pieces I wrote in the past, I get ideas for new
stories. I ran across my Christmas Carol a few months ago and started having
dreams about all the fun things that could happen. That's not a figure of
speech; I actually started dreaming about scenes I could add to the story and,
yes, I tended to wake up pretty turned on. And then I got turned on to the
business of writing it.
In fact,
I got so turned on to writing the story, I couldn't stop until it was finished.
I went to Mexico over Thanksgiving week and took my laptop with me. Yep, I
wrote the last 5 or 6 thousand words in my hotel room in Mexico--that's how
invested I became in this story! My friends were out at the swim-up bar, in the
pool, and I was sitting at a table, writing.
Why
Dickens?
We know
Charles Dickens today as one of the great masters of English language fiction,
but in his day, he was one of us: a writer whose fiction was read for pure
entertainment. Most of his books were originally published as serials in the
newspaper and people would wait for the next installment to come out. I think
Dickens’ works easily lend themselves to modernization because of the universal
plight of his characters and the Everyman quality of his plots. The human race
remains fundamentally the same throughout history. We may have different
gadgets, different fashions and lifestyles now, but the way we feel and think
remains pretty constant.
Oh, and
by the way, we didn’t invent sex or BDSM or femdom or any of it. I’m just
saying.
Are your characters reflective of
people you know?
My
characters are seldom based on real people or, I should say, they aren’t based
on one real person. The Alistair Sim’s Ebenezer Scrooge, from the 1951 movie
version inspired my Ebenezer, initially. But the City of New York ended up
being the true inspiration. I talk about New York being a central character in
most of my stories, as important as any character walking on two legs, and it’s
often true. This Ebenezer came out of the entire Holiday experience in the
city, with a bit of Alistair Sim thrown in. When Dickens wrote A Christmas
Carol, he put the whole of his world into the tale. He wrote about people he
knew, people he saw every day and events that unfolded around him. None of the
characters in A Scarlet Christmas is based on any actual person, instead, each
character is made up of pieces of everyone around me, including myself (and,
for what it’s worth, that’s the way all my characters are formed).
Anything
else like this you’re working on? What’s
next?
Now, I'm
taking a break. But Riverdale Avenue Books, my publisher, would eventually like
to see a couple more pieces like this one and I find the idea really
intriguing. I think the Victorian era lends itself well to modernization and
I’m looking at pieces that speak to me—and to femdom. Maybe some Poe? It’s just a thought. I’ll
have to think about it.
D. L.
King
New York
City
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