ALL FOR A BLAST OF HOT AIR
By R. Ann Siracusa
By R. Ann Siracusa
A secret
pre-nuptial honeymoon, a hot air balloon safari, and a plot to kill the US
president all come together at a Vatican wedding.
BLURB
I'm
Harriet Ruby, tour director extraordinaire. Finally, I'm tying the knot with
Will Talbot, my favorite spy and the love of my life, despite my nagging
concerns about his dangerous profession.
He
could get killed!
I
don't want my children to grow up with an absentee father...or a dead one, but
Will's work is his calling. I can't ask him to give it up. When he holds me in
his arms, I have no doubt he'll find a way to make everything right.
To
avoid the huge Italian wedding my mother is planning in California, I jump at
an offer to get married in the Vatican, only to learn my whole tribe is making
the trip to Rome for the ceremony. Darn. Now, I'm stuck planning a big wedding
in two months without help. I freak out totally when my boss cancels my
vacation time scheduled for the honeymoon.
At
Will's suggestion, we get married at city hall, hire a wedding planner, and
then take off on our honeymoon before the church ceremony. The first leg
of our trip is a hot air balloon safari in Africa—well, it sounded like fun at
the time—but afterward, we'll have two quiet, relaxing weeks totally alone.
When
a member of our tour is kidnapped, I learn Will accepted an assignment from the
US government to keep the kidnap victim under surveillance—after he'd promised
me his full attention. All my doubts about the marriage raise their ugly heads.
Have
I jumped the gun? Sure, we love each other, but is that enough to make this
marriage work?
It
won't matter if we don't get out alive.
1.How
did you start writing romance?
I’ve always liked to read and write stories, but I never considered writing as a profession. I already knew at 13 that I wanted to be an architect. As an architect and urban planner, I did a lot of non-fiction and professional writing, but I didn’t follow up on my interest in fiction writing until I was in my forties.
I’ve always liked to read and write stories, but I never considered writing as a profession. I already knew at 13 that I wanted to be an architect. As an architect and urban planner, I did a lot of non-fiction and professional writing, but I didn’t follow up on my interest in fiction writing until I was in my forties.
At the time, everyone
was raving about a romance novel (sort of a 1980s "Fifty Shades of
Grey" – I don't even remember the name). I didn't read romance, but I read
this one. My reaction was, “Oh, man. Even I
can write better than this.” So I read eight or ten romance novels and then
wrote one in about 8 months.
It was good story,
but not better—learning the craft
took a while—but I was on my way. After that, I began to write despite a
demanding family with three kids and an Italian husband, a 60 hr+/week career,
and a four-hour-per-day commute. I'd realized that fiction writing was my
“calling.”
2.
Plotter or pantster?
At this point, I’m straddling the fence with one leg on the plotter side, the other on the pantster side.
At this point, I’m straddling the fence with one leg on the plotter side, the other on the pantster side.
My story: I wrote my mafia thriller with only
a loose outline and ended up with 300,000 words. Cutting over 600 pages was
like killing my children. I cried for 6 months, and then it took another year
and a half to revise. After that, I wrote from a very detailed outline.
My first pantster experience was an experiment
to see if I could write humor in first person. It started out with a general
idea and not a clue what was going to happen. It worked, but I was so lucky.
That turned out to be the first book in the Tour Director Extraordinaire
series. I never intended it to be a series, but I fell in love with the
characters and the voice. More had to follow.
Since then, I've settled into using a one-page
plotting outline (one sentence per scene about what has to happen) so I know
where I’m going, what scenes I need to get there, and the general plot points,
but not specifically how I’ll accomplish it. I update the plot outline if ongoing
modifications are important enough to impact other scenes, plot points, and
overall direction.
3.
What are three things you have on your writing desk?
Would that there were only three things. My
desk looks like the aftermath of a tornado. Among the mess is a dictionary (I
just don't trust spell checkers), a kitchen timer, and a calendar.
4.
Favorite food?
Hey, I'm a writer. What do you expect?
Chocolate, of course...with ice cream running a close second. And there's wine
and coffee and...
5.
Tell us a little about your new release. What character in the book really
spoke to you?
My new release, All For A Blast Of Hot Air, is the fifth book in the romantic suspense series, Tour Director Extraordinaire, which started with the experiment in first person.
My new release, All For A Blast Of Hot Air, is the fifth book in the romantic suspense series, Tour Director Extraordinaire, which started with the experiment in first person.
The series is about a smart young woman whose biggest problem is that she doesn’t have
any real problems—for twenty-four years, her life has been good but predictable—who takes a position as a
tour director in Europe. All goes well until she and her tour group get lost in
the medina in Tangier, and one of her tourists dies.
Will Talbot, a handsome stranger and Europol
spy in disguise, offers to help her smuggle the body out of Morocco. At that
moment, Harriet’s once-ordinary life turns upside down and will never be the same
again.
Like fire and water, Harriet and Will’s intense magnetic attraction to
each other creates a volatile combination. Together, they
experience hilarious misadventures, great sex, and life-threatening journeys in
pursuit of murderers, smugglers, terrorists, and a once-in-a-lifetime love.
By book five, All
For A Blast Of Hot Air, Will and Harriet have known each other for nearly
four years and are ready to tie the knot. This novel is set in Southern Africa
where they couple takes a hot air balloon safari, their prenuptial honeymoon,
with some unexpected results.
I dearly love both the hero and heroine. Will has a
troubled past and lots of issues—perfect on outside and flawed inside—and is
the kind of man every woman wants to save. Harriet is the view point character,
and she's the one who really motivates me. If I could be anybody, I would be
her.
6. I
write because ____
I write because I'm compelled to write by my inner soul. I believe this may be a genetic defect writers share. We have to tells our stories and share our thoughts and ideas, and fantasies.
I write because I'm compelled to write by my inner soul. I believe this may be a genetic defect writers share. We have to tells our stories and share our thoughts and ideas, and fantasies.
I write novels because I want to share the
wonder and enlightenment of visiting other cultures of the world. There is so
much out there, and some people don't get to experience it firsthand. I'm lucky
that I can travel, and I want my readers to feel as though, for a few hours,
they've stepped outside their own venue and trouble and have lost themselves in
an exciting adventure as another person in another place.
7.
What is your favorite type of character to write about?
I find all characters interesting and challenging, but I like intelligent kickass heroines the best. I admire and enjoy writing about strong women who their use brains and wits as much as I admire those with physical skills and toughness.
I find all characters interesting and challenging, but I like intelligent kickass heroines the best. I admire and enjoy writing about strong women who their use brains and wits as much as I admire those with physical skills and toughness.
I tend to start with the basic story and then
look for characters who would be engaged by the situation and who bring the
personality and skills necessary to deal with it. I rarely start with a
character.
8.
What is the sexiest scene you ever wrote?
I doubt that I remember. The most important one, in terms of storyline, is in my Mafia novel, Family Secrets: A Vengeance of Tears. Sex scenes have to fit the characters and the context of the novel.
I doubt that I remember. The most important one, in terms of storyline, is in my Mafia novel, Family Secrets: A Vengeance of Tears. Sex scenes have to fit the characters and the context of the novel.
9.
What advice would you give new authors in the erotica/romance field?
First, let me share an introspection of the heroine in All For A Blast Of Hot Air.
First, let me share an introspection of the heroine in All For A Blast Of Hot Air.
Free
advice from your friends is worth only what you pay for. And once they give you
advice, it’s clear they really aren’t your friends. Even when you ask, people who
have your best interests at heart keep their mouths shut and let you make your
own mistakes.
I have a long list of pointers for new writers.
It resembles advice given by many other authors, so I'd like to make a point
that isn't among their do's and don'ts.
You can't get there it you don't know where you're going.
No matter where you are with your writing,
prepare a career plan and use it to make informed decisions. Too often writers
make emotional or uninformed choices which can prove, at best, setbacks to a
career; at worst, they can be disastrous. Let's face it. In the publishing
business, we all shoot from the hip. The difference between success and failure
is shooting at a target.
Anyone interested in knowing more about
career planning for writers, please contact me through my website, twitter, or
facebook.
10.
What is next on your writerly horizon?
Getting bored writing in the same genre is a big challenge for me. I switch around, which doesn't help with building an audience.
Getting bored writing in the same genre is a big challenge for me. I switch around, which doesn't help with building an audience.
I'm embarking on a WWII historical,
mainstream novel (not romance but with a romantic element) about the
incarceration of the Japanese and American-Japanese during World War II. It's a
topic I'm very passionate about. In my opinion it's a shameful chapter in
American history, and one that, for many years, was not even mentioned in the
study of American history.
EXCERPT
Later, sated and limp with contentment, we dozed. I awoke
to him nibbling at my ear.
"Hmm. Is it morning yet?" I eased
away, stretched long and hard, then curled against him again.
"Will..."
I hesitated so long he pulled back and turned
me so he could peer into my eyes, holding me in place so I couldn't escape.
His voice conveyed concern. "What's the
matter?"
"Mmm, nothing. I was wondering if... Is this
going to change when we get married?"
Will stiffened and gazed into my eyes with an
unreadable nuance of expression. "If you're asking if I'm going to whip
out a roll of duct tape, run a line down the center of the bed, and put my
Kevlar vest and a can of Mace between us, the answer is definitely not."
I grimaced. "Mace would be risky."
He laughed with amusement and some other
undefined emotion that made me fidget in place. He wasn't done with me.
"With your track record, we'd better forget the Mace. But if you mean
this..."
Cupping my breast, he took the swollen nipple
into his mouth, pinching lightly and pulling, sending bolts of sexual desire to
my core, flushing my body with heat, then trailed hot kissed down my quivering
abdomen and between my legs. My body arched, and, in a heartbeat, I flew from
unprepared to orgasm to spinning in space among the stars.
He gave me time to come back to earth and
relax, utterly contented, and then said, "If you mean that—yes,
it's going to change."
My heart seized, then slammed against my rib
cage. I pushed him away and sat up. "What do you mean, it's going to
change?" Confused and alarmed, I grasped his shoulders and shook him.
Gently clamping his strong hands around my
wrists, he pulled me back down onto his chest, our faces inches apart. Our
gazes locked in the dim early morning dawn seeping through the slats of the veneziani
shutters. "As I understood it, you were asking me if our sexual
relationship would change when we get married. I answered you."
"But I don't want it to change!"
"Get a grip, Tiger. You know everything
changes."
I sniffed and held back the tears burning
behind my eyes. "M-maybe we... shouldn't g-get married."
Sucking in a deep breath of frustration, he
rolled me under him, nudging my legs apart and settling his weight in the V of
my thighs, his gaze boring into me.
"Jesus, Harriet. I didn't mean that.
Think! Do you remember how our relationship was when we first met in Morocco,
three years ago? Do you want us to go back to how we were then?"
"Yes, I remember. It was good—really
good—but I...I like things the way they are now." His erection pressed
against me. Oh, yeah. I definitely like things the way things are now.
"We've both changed, Tiger. Our
relationship has changed...for the better, but it's not the same. We're at a
different time and place in our lives. We'll never be back there, and we'll
never be back here again, either."
My lower lip trembled with trepidation and
disappointment. "You're scaring me, Will. Promise me everything will stay
the way it is now." Even as I pouted and sniffed like a child, I regretted
my foolish statement. Of course, there was no way to stop life from evolving,
no going back. I clamped my teeth on my lower lip to stop the quivering.
His face softened into a tender expression, a
faint smile tweaking the corners of his luscious lips. He shook his head.
"Can't. But I can promise you this. As long as I live, I will never
love you less than I love you now."
Music to my ears, a silken caress to my
fluttering heart. "You are so..." The word sweet came to mind,
but he didn't like being called that. "Loveable." I arched my body
and brushed my lips across his with feather lightness, then relaxed beneath
him.
With his weight on one elbow, he pushed
strands of my undisciplined hair off my face and hooked one behind my ear.
"I mean it." His pause made my
heart constrict, as though his next words would be momentous. "But there
are a few things I'd like to see change in the near future."
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Buy Links
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AUTHOR BIO
R.
Ann Siracusa
is a California girl who earned her Bachelor of Architecture degree from UC
Berkeley, then went immediately to Rome, Italy. On her first day there, she met
an Italian policeman at the Fountain of Love, and the rest is history. Instead
of a degree from the University of Rome, she got a husband, and they've been married
going on fifty years. In Rome, she worked for as an architect and planner for a
land development company for several years until she and her husband moved to
the US.
Thank you Ann for being on the blog today! I can't wait to read your book! It sounds wonderful.
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